Issue: Winter 2022

Winter 2022 JAZZIZ On Disc: Annotated Playlist

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December 27, 2022

Memories of Pat Martino

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December 13, 2022

Auditions Roundup: When the Spirit Moves

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December 13, 2022

Connie Han, ‘Secrets of Inanna’ (Mack Avenue) | Review

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December 13, 2022

Rufus Reid, ‘Celebration’ (Sunnyside) | Review

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December 13, 2022

Angelica Sanchez Trio, ‘Sparkle Beings’ (Sunnyside) | Review

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December 13, 2022

Takuya Kuroda, ‘Midnight Crisp’ (First World) | Review

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December 13, 2022

Carmen Lundy, ‘Fade to Black’ (Afrasia) | Review

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December 13, 2022

Bobby Watson, ‘Back Home in Kansas City’ (Smoke Sessions) | Review

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December 13, 2022

Bobby Broom: Harmonic Convergence

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December 13, 2022

Jeff Parker: Breaking Sound Barriers

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December 13, 2022

Vernon Reid and His Search for Six-String Transcendence

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December 13, 2022

Julian Lage: A View From the Bridge

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December 13, 2022

Gordon Grdina: Double-Sided String Theory

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December 12, 2022

Grant Geissman: Mad About the Blues

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December 12, 2022

Calvin Keys: Keys to the Kingdom

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December 12, 2022

George Benson, ‘The Other Side of Abbey Road’ (A&M/CTI, 1970) | Requisite

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December 12, 2022

Paul Mehling: Hot Club in the Old Town Tonight

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December 12, 2022

Michael Varverakis: A World of Wonder

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December 12, 2022

Publisher’s Letter: Guitar Picks

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December 12, 2022