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Author: Larry Blumenfeld

Critic’s Pick: Roy Hargrove’s Crisol (2024)

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July 3, 2025

Critic’s Pick: Hasaan Ibn Ali

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June 20, 2025

Critic’s Pick: Tyshawn Sorey Trio

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June 13, 2025

Max Roach: To the Max

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June 2, 2025

Ryan Truesdell: What If They All Wrote String Quartets?

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October 13, 2024

Notes for Tom Evered

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October 7, 2024

Graham Haynes: The Griot’s Further Footsteps

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June 27, 2024

In Search of Tenório

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April 1, 2024

Glimpses of Geri

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December 29, 2023

Into the Multiverse

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October 23, 2023

Dorothy Ashby: She Made the Harp Swing

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September 14, 2023

The Bigness of Wayne

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June 19, 2023

One Plus One: Jazz Duos Are Often More Than the Sum of Their Parts

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March 19, 2023

Fred Hersch, Party of Two

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March 18, 2023

Gordon Grdina: Double-Sided String Theory

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December 12, 2022

Judith Owen: Bold Female Declarations, Without Apology

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November 8, 2022

Regarding Henry: Steven Bernstein Remembers Henry Butler

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September 6, 2022

Ron Carter: The Distributor

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June 3, 2022

Let Yourself In: Michael Bisio Feels the Force of Creative Music and Follows Its Flow

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June 3, 2022

The Secret Sauce: With “Take Me to the River: New Orleans,” Director Martin Shore Shows How Drums and Love Keep a Storied City’s Culture Fresh

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April 2, 2022
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